The
Renaissance
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at The University of Chicago
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R. H. Quaytman

Passing Through The Opposite of What It Approaches, Chapter 25
January 06 – February 17, 2013

 
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Anne Rorimer) 2012
paraloid, tempera, silkscreen ink, gesso on wood
24 3/4 x 40 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Playback of a Daydream) 2012
back: tempera and gesso on wood; front: oil, tempera, silkscreen ink, gesso on wood; wood shelf
back: 52 3/8 x 32 3/8 inches; front: 20 x 32 3/8 inches
 
R. H. Quaytman
Passing Through The Opposite of What It Approaches, Chapter 25 2012
acrylic, silkscreen ink, gesso on wood
12 3/8 x 20 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Everybody needs at least one window) 2012
top: silkscreen ink, gesso on wood; bottom: tempera, gesso on wood
top: 20 x 20 inches; bottom: 20 x 20 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Imprints of a no.50 brush repeated at regular intervals of 30 cm) 2012
gesso on wood
52 3/8 x 32 3/8 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 2012
tempera, silkscreen ink, gesso on wood
40 x 24 3/4 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Genzken?s skull) 2012
front: wax, tempera, gesso on wood; back: gessoed panel
front: 12 3/8 x 12 3/8 inches; back: 12 3/8 x 203/8 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 2012
tempera, gesso on wood
37 1/16 x 60 inches
 
R. H. Quaytman
Passing Through The Opposite of What It Approaches, Chapter 25 2012
silkscreen ink, gesso on wood
40 x 24 3/4 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (after John Vinci?s slide of Mies? St. Savior) 2012
silkscreen ink, gesso on wood; wood shelf
32 3/8 x 32 3/8 inches; front: 20 x 12 3/8 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 2012
acrylic, tempera, gesso on wood
32 3/8 x 52 3/8 inches
 
R. H. Quaytman
Passing Through The Opposite of What It Approaches, Chapter 25 2012
oil, tempera, gesso on wood
60 x 37 1/16 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (From archival photograph of Toroni exhibition at The Renaissance Society) 2012
oil, tempera, silkscreen ink, gesso on wood
37 1/16 x 60 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Hamza?s shelves) 2012
wax, silkscreen ink, gesso on wood
52 3/8 x 32 3/8 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Susanne?s bracelet) 2012
casein, gesso on wood
12 3/8 x 12 3/8 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Public Space/Two Audiences) 2012
oil, silver leaf, tempera, gesso on wood, in wood box with mirror
20 x 20 inches; box: 21 x 311/2 x 7 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Susanne Ghez) 2012
tempera, silkscreen ink, gesso on wood
20 x 32 3/8 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Anne Rorimer) 2012
oil, tempera, gesso on wood
20 x 20 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Hamza?s shelves) 2012
diamond dust, oil , silkscreen ink, gesso on wood
24 3/4 x 40 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (after John Vinci?s slide of Mies? St. Savior) 2012
silkscreen ink, gesso on wood
20 x 12 3/8 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (after John Vinci?s slide of Mies? St. Savior) 2012
silver foil, silkscreen ink, gesso on wood
32 3/8 x 32 3/8 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (After James Coleman?s slide piece) 2012
back: oil, tempera, silkscreen ink, gesso on wood; front: silver foil, tempera, silkscreen ink, gesso on wood; wood shelf
back: 37 1/16 x 60 inches; front: 12 3/8 x 20 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Susanne Ghez) 2012
back: tempera, gesso on wood; middle: tempera, silkscreen ink, gesso on wood; front: silver leaf, silkscreen ink, gesso on wood; wooden shelf
back: 32 3/8 x 52 3/8 inches; middle: 20 x 32 3/8 inches; front: 12 3/8 x 12 3/8 inches
 
R. H. Quaytman
Passing Through the Opposite of What It Approaches, Chapter 25 (After James Coleman?s slide piece) 2012
diamond dust, gesso on wood
32 3/8 x 20 inches
 
R. H. Quaytman
Passing Through The Opposite of What It Approaches, Chapter 25 2012
oil, tempera, gesso on wood
52 3/8 x 32 3/8 inches
 
R. H. Quaytman
Passing Through The Opposite of What It Approaches, Chapter 25 2012
tempera, gesso on wood
52 3/8 x 32 3/8 inches
 

   
   
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